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July 4th 2015 Spectacular begins in



Judy Chicago's "A Butterfly for Brooklyn" lights up the sky over Prospect Park

ChJudy Chicago’s “Butterfly for Brooklyn” reaches its fiery conclusion. (Mike Hale/The New York Times)Judy Chicago’s “Butterfly for Brooklyn” reaches its fiery conclusion. (Mike Hale/The New York Times)eck out Judy Chicago's awesome "A Butterfly for Brooklyn" from Saturday night! Thank you to our wonderful crew and sponsors for making the show happen! 

Head over to the New York Times ArtBeat to read all about the event.

Updated with new photos, please see below.

Chicago is Everywhere

Judy ChicagoJudy ChicagoOrginial Posting --

We arrived at Judy Chicago's hotel room expecting to be greeted by a handler or assistant, but were surprised to find that the soon-to-be 75 year-old artist answered the door herself. She was wearing a sweatshirt from Pyro Spectaculars, the fireworks engineers working with her on her upcoming large-scale performance piece in Prospect Park, A Butterfly for Brooklyn. The sweatshirt was the same sort of baggy, pastel memento worn by women of her age to commemorate a trip to Las Vegas or Fort Lauderdale—but instead, this one had a small embroidery of fireworks over the heart.

 A Butterfly for Brooklyn is the capstone event of what Chicago refers to as her year-long "national retrospective." This year, she has shows at the Mana Contemporary, Harvard's Schlesinger Library, the Palmer Museum in Pennsylvania, the Oakland Museum of California, and several others around the country. "Chicago in L.A.," which just opened at the Brooklyn Museum, is one of the larger and more exciting ones, as it sheds light on Chicago's first 10 years of artistic practice in Los Angeles in the 1960s. It was a time and place where women in art were not taken seriously, and, as Chicago explained, a body of work that her magnum opus The Dinner Party overshadowed.

Photo by Donald WoodmanPhoto by Donald WoodmanTo celebrate her seventy-fifth birthday, artist Judy Chicago will create A Butterfly for Brooklyn, a monumental pyrotechnic performance piece drawing inspiration from her earliest explorations of feminist imagery, in Brooklyn's Prospect Park on Saturday, April 26, at 7:30 p.m. The site-specific work, measuring approximately 200 feet wide by 180 feet high, will appear to levitate, swirl, and move. Presented by the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum in partnership with the Prospect Park Alliance, the project is an outdoor component of the exhibition Chicago in L. A.: Judy Chicago's Early Work, 1962-74, on view in the Sackler Center at the Museum from April 4 through September 28. A Butterfly for Brooklyn will transform the imagery Chicago used most famously in her iconic installation, The Dinner Party, into a twenty-minute fusion of color and dazzling visual effects on the Long Meadow of Prospect Park.
This program is organized by Catherine J. Morris, Sackler Family Curator, with Jess Wilcox, Programs Coordinator, Elizabeth A. Sackler Center for Feminist Art. Major support was provided by Barbara and Eric Dobkin. Additional support provided by Barbara Lee.

Recent pyrotechnic performances by Judy Chicago were presented in California as a part of the J. Paul Getty Museum's critically acclaimed 2011-12 curatorial initiative Pacific Standard Time. These recent fireworks pieces were inspired by an increasingly complex series of works called Atmospheres that Chicago created in various West Coast locales between 1968 and 1974. Working with a small team of friends, she transformed beaches, parks, forest, deserts, construction sites, and museums with whirling plumes of brilliant color. The series grew out of the artist's ongoing research into color relationships during this period-one of the themes inher latest exhibition at the Brooklyn Museum.

As a part of a 1974 Oakland Museum project, Sculpture in the City, Judy Chicago produced A Butterfly for Oakland on the shores of Lake Merritt. This was the last environmental work she would complete for more than three decades. She states, "From the time I was a young artist in Los Angeles, I had big ideas. In addition to a prodigious production of large-scale painting and sculpture in the 1960s and 70s, I experimented with a variety of temporal materials. Using a range of fireworks and colored smokes, I did a series of Atmospheres whose goal was to 'feminize' the California landscape at a time when the L.A. art scene was singularly inhospitable to women. Unfortunately, my ambitions at that time were thwarted by a lack of financial support that prevented me from expanding the concept and scale of this work."

Chicago in L.A.: Judy Chicago's Early Work, 1963-74, the first survey on the East Coast of the artist's early career, contextualizes Chicago's work within the broader production of minimalism and conceptualism at the time, and continues the reappraisal of the artist's importance as a pioneer in the California art scene. It brings together more than fifty-five objects, featuring Chicago's minimalist sculpture alongside her Female Rejection Series, her large-scale paintings, and documentation of her environments and performances.

The Dinner Party, on permanent view at the Brooklyn Museum, was a gift to the Museum from the Elizabeth A. Sackler Foundation in 2003 and installed in the Elizabeth A. Sackler Center for Feminist Art when it first opened in March 2007. The installation honors the achievements of women over the millennia by featuring craft forms that until recently were not considered part of the fine arts. Each of the thirty-nine table settings, resting on elaborately embroidered runners, is unique to the woman whose life it honors and includes a hand-painted china plate, ceramic flatware and chalice, and a napkin with an embroidered gold edge.

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